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Distances to Braidwood:
Sydney: 290km
Nerriga: 54km
Nowra: 130km
Batemans Bay: 61km
Major’s Creek: 16km
Araluen: 29km
Moruya: 110km
Cooma: 130km
Mongarlowe: 13km
Goulburn: 82km
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Why Braidwood?
Judith Wright chose
to live near Braidwood for the last three decades of her life and the
region has become home to a vibrant community of other writers and artists.
In what is now known as Tallaganda Shire, landscapes that were once managed
by the Yuin and Walbanja people, were subsequently impacted by gold-mining
and European farming practices. Many stories are embedded in the town
heritage buildings and even more so in the surrounding landscapes. On
the road between Canberra and the coast, Braidwood is surrounded by other
historical villages and some significant remnants of the indigenous forests.
Like all Australian country towns, it is going though a profound transition
and its future is being shaped by debates involving long-term farmers,
environmentalists, local business operators (who benefit from tourism)
and the arts community. It offers a great case study in issues related
to history, local economic development and conservation agendas.
Of course, Judith
Wright’s name is also closely associated with the New England district
and with Mt Tambourine (in the Gold Coast hinterlands) — she engaged
deeply with each of the places where she lived and worked for long periods
of time. The Festival will make it clear why Braidwood was one of the
places that a person with Judith’s place-awareness chose to live
in. It will also pose questions about what Braidwood will now choose to
do with the memory of this famous adopted daughter.
At a time when
rural towns and regions seek distinctive identities and images, questions
arise about the local significance of national figures. Local communities
will need to make choices about how they will work with the legacy of
their most famous residents. Bowral can comfortably promote itself as
the town that launched Don Bradman’s glittering sporting career,
even though “The Don” spent much more of his life in Adelaide.
Tenterfield can celebrate the song written about it by famous son Peter
Allen but wonder at the life and career of a flamboyant and openly gay
performer who chose to spend most of his life outside Australia. Braidwood
can celebrate the fact that it was the home of choice of a great writer
but one who was also something of an “outsider” who spoke
her mind without fear of favour. Using Judith Wright and Braidwood as
a case in point, this Festival will explore the question of how local
communities might work with the complex legacy of national figures who
have lived among them.
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